Friday, December 24, 2021

Ankhtana release new single and official video 'Masquerade'

 



The alt-rock music duo known as Ankhtana have released their latest official single, “Masquerade.” It has been proudly published as an independent release with an official music video starring members Rozy Dahl and Chris Devro, themselves (link provided below). Elegant, empassioned, and bearing plenty of alternative rock power, “Masquerade” showcases Ankhtana as a startling sonic duo to close out the 2021 year.

Manchester, New Hampshire's Ankhtana cite as main artistic influences IAMX, Muse, Black Sabbath, Porcupine Tree, Pat Benatar, Mozart, and “many, many others. We love all types of music.” With an emphasis on personal narrative, veteran guitar chops, and a palpably genuine vocal performance, “Masquerade” by Ankhtana has a little something for every fan of the alt sound.

Asked to describe the overall theme of “Masquerade,” Ankhtana writes that it was written by singer Rozy Dahl.

The power ballad evokes emotions of being an outsider,” writes guitarist Chris Devro. “It's about being misunderstood, wronged by loved ones.”

The description given at the band's official YouTube says it's “about giving unconditional love and not receiving it in return. Feeling rejected, disrespected, betrayed, thinking you know someone or many people, only to have them hurt you in return by revealing their true selves.”

Though they've been making original music since childhood, “Masquerade” is Ankhtana's debut single. The team have billed themselves as “an american rock band formed in Manchester NH in 2018 by founders Rozy Dahl and Chris Devro. The two met spontaneously through a musical networking site. Combining Devro's catchy guitar riffs with Dahl's vocals, Ankhtana's sound was birthed.”

Masquerade” by Ankhtana is available from quality digital music stores online worldwide now. Get in early, alt-rock music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Masquerade” by Ankhtana —

https://www.amazon.com/Masquerade/dp/B09KS2G7PK/


Official Video —

https://youtu.be/IcDeOX_CSEs


Official Websites —

https://linktr.ee/ankhtana

Friday, December 3, 2021

Frederic Bernard, PianoPassion release new single 'A Murderous Romance'

 

FREIBURG, Germany, 2021-Dec-03 — /Indie Music News Network/ —

The composer, pianist and arranger Frederic Bernard (AKA PianoPassion) has released his latest major single, “A Murderous Romance.” Gentle, shadowy, and bearing hints of treachery and diversified human drama – though with the pinnacle of keeping a classical essence. “A Murderous Romance” showcases PianoPassion's admirement for musical storytelling without lyrics, but also strongly emphases his craft in classical music writing. In addition to the considerable talents of PianoPassion, himself, “A Murderous Romance” also boasts ethereal cello work by Steven Schumann.

"I always have the goal of getting the final master as organic as possible,” says Bernard. “I love to get live musicians involved whenever I can.”

Frederic Bernard cites as main artistic influences for his new single Camille Saint-Saens' “The Swan,” as well as other chamber pieces of the late Romantic Era, which also includes the work of Joe Hisaishi and John Williams, particularly the score for “Seven Years in Tibet.” With an emphasis on morbid delicacy, startling insinuation and bare-bones phrasing, “A Murderous Romance” by PianoPassion might be both an instant classic as well as a modern outlay of a 19th-century work for "modern ears."

Asked to describe the overall theme of “A Murderous Romance,” PianoPassion writes:

It might sound cliché, but for me it is a declaration of love to music — chamber music, to be precise ... Bittersweetness, deep passion, but also a hint of sorrow and darkness. I think it is the mixture of romantic and very serious momentums, which makes this piece of music so powerful.”

Frederic Bernard is largely known for his viral hit “Underwater Wonderscapes” (aka “Swarm of Fish”), which reached TikTok's Intl. Top-60 chart. This music originated from the third entry of his “Piano Stories” series, mostly an outlay of solo piano albums in their purest and original form. The series will receive its latest release "Piano Stories VI: Tears and Sadness Pt. 2" before 2022. In addition to his ventures into independent classically-inspired piano releases, the University of Freiburg -trained Bernard has had his work performed with lush orchestras in Budapest and Moscow. Companies featuring his pieces include Sony, Intel, LG, Canon, Doritos, Sixt, Virgin Galactics, AXA, Time Inc., BBC, Discovery Channel, National Geographic, and many more. Bernard has collaborated with such notables as YouTube sensation Rudy Mancuso, K-Pop idol Cho Kyuhyun, and famed Jewish singer Benny Friedman. His scores also appear in a broad variety of feature films.

Asked if he had any message for his fans, Bernard states, “I hope the listeners can hear the title in the music and can absorb the passion we've put into this release.”

A Murderous Romance” by Frederic Bernard/PianoPassion is available on all digital music stores. Get in early, classical music fans.

Frederic Bernard/PianoPassion Official Website —

https://fredericbernardmusic.com/

YouTube —

https://www.youtube.com/channel/UC1EMqo0PZgLmtoSNZCKn7-w

Spotify —

https://open.spotify.com/artist/0nJspN71ElUdTyruV0ESlM?si=aJGxZd3CRZWy8NlsvYVu4w

Apple Music —

https://music.apple.com/us/artist/pianopassion/960415077

SoundCloud —

https://soundcloud.com/fredericbernard

Nova Emad releases new single 'Redit Ansahum (I Wanted to Forget Them)'

Middle Eastern pop singer Nova Emad has released her latest official single, “Redit Ansahum (I Wanted to Forget Them).” It is a modern khaliji track proudly published as an independent release on the Maqam Production record label. Energetic, bursting with rhythm, and bringing today's Baghdadi scene to western ears for many listeners' first time, “Redit Ansahum” introduces Nova Emad as one of the most intriguing artists out of Baghdad in years.

Toronto, Canada's Iraqi-born Nova Emad cites as main artistic influences Fairouz, Majida Al Roumi, Salima Murad Basha, Seta Hagopian, Nazem Al Ghazali, Ziad Al Rahbani, Beyonce, Sting, and Charles Aznavour. Built on contemporary khaliji style but blended with pop elements from the world over, “Redit Ansahum” by Nova Emad has a little something for everybody.

Asked to describe the overall theme of “Redit Ansahum,” Nova Emad writes that it is a “romantic ballad about always longing for the person you love and missing them after a fight. It's full of poetic pictures that touch the heart and the soul.”

Ultimately, “Redit Ansahum” is a song of romantic victory.

“Love is bigger than any fight or misunderstanding,” says Emad. “Love is the force that makes our heart beat.”

Maqam Production describes Nova Emad as having been singing since childhood, first at school and church, then more seriously after moving to Canada in 2002.

“I sang in Ottawa in a couple of Jazz clubs in 2002 with a band called Joy Fusion,” Emad writes, “then in 2006 I started my solo music career.”

She's been prolific since then, with recent global releases including the Iraqi drop “Nreed Neesh (We Want to Live)” with Moe (2019), the international releases of “Wenak” with Tribe of Monsters and the French “Deja L'aube” (both 2020), and most recently the globally acclaimed single, “Ya Habibi Taala” Tiro with Macadi Nahas and Maira (2021). Nova Emad has performed in Ottawa and Toronto, Canada; overseas at Tedex in Baghdad, and the Babylon International Festival in the City of Babylon, Iraq; as well as at the Jerash Music Festival in Amman, Jordan.

“I hope this song fills them with warmth,” says Nova Emad of her best wishes for fans. “I realize that not all my listeners are Arabic speakers, but I do believe that music surpasses language because it speaks directly to the soul and the heart. Music is the language of love, compassion and inclusiveness. Listen to music and let your heart be open to all the beautiful things music offers.”

“Redit Ansahum” was made with lyrics by Sabah Al Maliki, composition by Zyad Yousef, and arrangement by Shirak Tatosian.

Nova Emad also has this message for her listeners new and old, foreign and domestic:

“I want to say a big THANK YOU to all the beautiful audiences and people who have stood beside me as I grow in my music and in my career. You are the reason for my strength and for every beautiful piece of music I create.”

“Redit Ansahum” by Nova Emad on the Maqam Production label is available from quality digital music stores online worldwide now. Get in early, dance music and Khaliji fans.

– S. McCauley

Lead Press Release Writer

www.Octiive.com

Redit Ansahum” by Nova Emad —

https://www.youtube.com/watch?v=CIaOTDvpQn8&ab_channel=NovaEmad

Nova Emad Official Website —

https://soundcloud.com/novaemad

 

Contemporary Christian musician Sherrell Mitchell drops new single 'God of Another Chance'



The songwriter and producer of contemporary Christian music known as Sherrell Mitchell has released his latest official single, “God of Another Chance.” It is the latest official drop from Mitchell since his popular spring 2021 single, “I Belong to You.” Like that and his other releases, “God of Another Chance” has been proudly published as an independent release without the involvement of the corporate music industry on the Psalm 96 Records record label. Bringing, “God of Another Chance” introduces Sherrell Mitchell as one of the most intriguing artists of the year so far.

The Pacific Northwest's Sherrell Mitchell has cited as main artistic influences for “God of Another Chance” Israel Houghton, Take 6, Kirk Franklin, Fred Hammond, Edwin & Walter Hawkins, and Cora Jackson. Beautiful, worshipful, and grounded in the Holy Word, “God of Another Chance” by Sherrell Mitchell has something for believers and agnostics alike.

Asked to describe the overall theme of “God of Another Chance,” Sherrell Mitchell writes, “The God that created Man & Woman is the same God who takes away all guilt and stain; He makes all things new again and again; He is the God of Another Chance and it's granted without a second glance.”

Psalm 96 Records describes Sherrell Mitchell as writing, recording and performing today in the Seattle area, but Sherrell Mitchell has also played across the American west in locales as disparate as Texas, Louisiana, New Mexico, Idaho, Oregon, Alaska, and California.

Mitchell has also described himself as “Spreading the Gospel using God’s Gifts through musical expression one song at a time for an Audience of 1 as the world listens on.”

God of Another Chance” by Sherrell Mitchell on the Psalm 96 Records label is available from quality digital music stores online worldwide now. Get in early, contemporary Christian music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


God of Another Chance” by Sherrell Mitchell —

https://music.apple.com/us/album/god-of-another-chance-single/1588093217


Official Website —

https://sherrellmitchell.com

Thursday, November 18, 2021

Randy MC releases new EP album '#StartAsianLove'

 



The songwriter and producer of modern pop music known as Randy MC has released his latest official EP album, “#StartAsianLove.” It contains six original Randy MC tracks for an approximate total listening time of 20 mins. It has been proudly published as an independent release without the involvement of the corporate music industry. With undeniable hooks and a jazzy, RnB-laced style, “#StartAsianLove” showcases Randy MC as one of the most intriguing pop artists 2021 has seen.

Taiwan-born, SoCal-raised Randy MC cites as main artistic influences Jacob Collier, André Previn, Bruno Mars, Ella Fitzgerald, Oscar Peterson, and Hiromi Uehara. As this roster may suggest, Randy MC (Martono-Chai) not only has a classical training at a top music conservatory, but also a background in alt-pop, r&b, rock, jazz-fusion, afrobeat and world music. Building on this with an emphasis on textbook-perfect songwriting and surgically precise vocal work and instrumentation, “#StartAsianLove” by Randy MC has a little something for everybody.

Randy MC's “#StartAsianLove” EP record kicks off with his sixth official single, “To Know You.” Asked to describe the overall theme of “#StartAsianLove,” Randy MC writes that as signified by the opening track, the album is “about getting to know a stranger and becoming that special friend they never had.”

The official website of Randy MC describes him as “an artist that epitomizes the very essence of the modern era,” and “a multitalented Pianist-Singer-Songwriter, Music Director, Arranger, and Teacher of Western Art and Contemporary Commercial Music.”

The artist spent seven years exploring the American South for musical inspiration, hence he proudly notes that “much of America's diverse Southern cultures influence Randy's compositional and playing style.” He has also said that he makes music “driven by his desire to motivate, inspire, comfort, and spread love and joy to all those that hear it,” and “believes we all have voices, and we should use it to better the world.”

Inspired by his mother, likewise an accomplished musician, Randy MC has been playing music since the age of three. Since that time, he has been performing, producing, music directing, teaching, and coaching other artists all over CA, WV, and the DMV (DC, MD, & VA) for over a decade. He offers online & in-home music lessons and coaching for artists at all levels. He has a knack for arranging and orchestrating music scores. Randy is available for solo and collaborative performances, such as weddings and concerts, as well as piano tuning and restringing. The rest of his official bio may be found at his official website (link provided below).

In New Orleans, especially,” says Randy MC, “I had the absolute honor to vibe and play alongside the drummers in their drum circles hosted by the Congo Square Preservation Society in Louis Armstrong Park every clear-weather Sunday afternoon. This was where I found the inspiration to produce a a great chunk of my album. I connected with all kinds of artists from different socioeconomic and musical backgrounds. Some have become my friends, students, and fans who love my music.”

#StartAsianLove” by Randy MC is available from quality digital music stores online worldwide now. Get in early, pop music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


#StartAsianLove” by Randy MC —

https://www.amazon.com/StartAsianLove-Randy-MC/dp/B09HHNPNGR/


Randy MC Official Website —

https://www.randymcmusic.com


Official Instagram, TikTok, Twitter —

https://www.instagram.com/randymcmusic/

https://www.tiktok.com/@randymcmusic

https://twitter.com/RandyMCmusic


More —

https://www.randymcmusic.com/connect

https://open.spotify.com/artist/0bpF05Ee1HTN9fFyHLS7o5

https://www.facebook.com/RandyMCmusic

https://music.apple.com/us/artist/randy-mc/412027773

https://music.amazon.com/artists/B004H3E07K/randy-mc

Monday, November 15, 2021

Wolf Camp releases debut album 'Folklore'



The songwriter and producer of rap and hip-hop music known as Wolf Camp has released his official debut album, “Folklore.” It contains seven original Wolf Camp tracks for an approximate total listening time of half an hour. It includes his popular single, “The City,” which dropped winter 2020. Like the single, “Folklore” has been proudly published as an independent release without the involvement of the corporate music industry. Dark, smooth, and bringing some of the best urban poetry from the artist yet, “Folklore” proves Wolf Camp can bring high-impact hooks and rhymes across an entire record and solidifies him as one of Ohio's most interesting rappers on the mic today.

Cincinatti's Wolf Camp has cited as main artistic influences the East Coast scene of the early '90s, Southern rap, and a few select West Coast artists. The result is a clutch of tracks based largely on lines and beats with sparse, effective melodies and the additional talents of skilled musicians like Lauren Eylise and Adam Pleimen. Fans of the old school will find much to appreciate in “Folklore” and few reasons to complain.

Asked to describe the overall theme of “Folklore,” Wolf Camp says that “Hip hop is still alive.” He also expresses several directives for his audience in six short words with the kind of brevity which gives “Folklore” much of its power:

Think, grow, beware and enjoy life.”

Another key ingredient is Camp's use of hip hop's ability to use more aspects of music than most other genres.

What I've always loved about rap music,” writes Wolf Camp, “is the endless possibilities of expression. You take rock, country, classical, heavy metal etc... and make it a dope song.”

Camp previously discussed the album's single, “The City,” as being his own “unique take on the City” inspired largely by Stevie Wonder's own popular single, “Living for the City.” Camp said of the track when it dropped last December:

It's about the City at both ends of society, high and low. There are good times you can have in the City — but there's also a harsh reality in the streets.”

He also said he styled his sound on “The City” so audiences would come away feeling “that they just heard something fresh and original that resonates with them on some level.”

The artist's current official bio reads:

Wolf Camp, born Ralph Camp, is a hip-hop artist from Cincinnati, Ohio. His smooth delivery of double entendres blend with lyrical criticism paints vivid pictures. Wolf Camp spent several years with a local Cincinnati rap group before going solo.

Folklore” by Wolf Camp is available from quality digital music stores online worldwide now. Get in early, rap and hip-hop music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Folklore” by Wolf Camp —

https://open.spotify.com/album/4sOg1UfzriLReW6sXHpWqd

Saturday, November 6, 2021

Synthpop favorite Vaughty releases official video 'Bottle'

 


Prominent synthpop scene favorite Vaughty has dropped his latest official single and video, “Bottle.” The track takes Vaughty's sound to new heights of intensity while the video explores new depths of profundity. The UK's synth mogul has previously proven himself capable of studio-level production and major-label audience reach, yet “Bottle” showcases Vaughty's video chops in a similarly striking light arguably for the first time.

Bottle” is the second single from Vaughty's imminent “Dark Society” album slated for Q1 2022. Vaughty indie label Aggro Monkey Records says the Orwellian LP will deal with “the shadowy elements of humanity, the negative effects of technology, and the like.”

Much can be said of the songwriting and execution of “Bottle” both in and out of the studio, but longtime fans of Vaughty used to his dependable taste and high sonic standards may find themselves taken aback by the visual showmanship exhibited in this present release.

Taken together with the theatrical prelude, the video tops out around the seven-minute mark, making it the new centerpiece of Vaughty's decade-long catalog. It features several easter eggs for fans of Vaughty and fans of synthpop alike, such as the standout appearance of Depeche Mode photographer Brian Griffin, and a momentary shot of DM keyboardist Alan Wilder being called on Vaughty's cell.

In addition to the considerable talents of Vaughty, himself, “Bottle” also features production work from Andy Marlow (Marc Almond, Tracey Ullman) and Kevin Paul (Depeche Mode, Nick Cave, Sr. Mix Engineer Mute Records), as well as the visual artistry of director Szenasi Akos.

Born Vaughn Eunson in South Africa, today Vaughty writes, records, produces and lives in London as he has for twenty-some years. He also runs the popular Vaughn George synth music YouTube channel which has become a global hub of synth and piano enthusiasts, experts, teachers, students and professional musicians over the last five years. It boasts many remarkable interviews with legendary record producers, musicians and artists in general, and currently services circa 21,000 subscribers.

I want to thank my loyal fans for supporting me throughout the years and I can promise you that 'Dark Society'' is going to be Vaughty as you've never heard him before,” Vaughty says. “I am very excited about this album — I feel that this album best represents who I am as an artist as well as my personal music taste.”

Bottle” by Vaughty on the Aggro Monkey Records label is available from quality digital music stores online worldwide now. Get in early, synthpop fans. Very early.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Bottle” by Vaughty —

https://open.spotify.com/album/2LGld6MBpFJ3rYzdcY6aRS

Vaughty Official Websites —

www.vaughngeorge.com

Official Instagram —

https://www.instagram.com/vaughn_george_v/

Friday, November 5, 2021

Funk and R&B veteran Barry Wilkins releases second 2021 single 'Do It Like This'

 

   

Funk and R&B veteran Barry Wilkins has dropped his second official single for 2021, “Do It Like This.” Like his surprise drop of popular single “202” which startled the funk community last spring, “Do It Like This” has been proudly published as an independent release recorded, mixed, and produced at his own B. Creative Imagery Design and Recording Studio (link provided below). Featuring the classic funk and R&B sound which can never be imitated, “Do It Like This” proves Barry Wilkins has much more in store for fans than just a comeback single.

Tyrone, Georgia's Barry Wilkins can make funk the way it's supposed to be done because he has roots playing in legitimate Stax Records artists such as Art Jerry Miller, the Mad-Lads, and the Bar-Kays. He has cited as influences Jimi Hendrix, Eddie Hazel, Stevie Ray Vaughn, and Prince, as well as the legendary Funkadelics and Earth, Wind and Fire, with whom he shares many sonic traits.

'Do It Like This' is a funky groove that is relaxed and in the pocket,” says Wilkins of the new track. “By that I mean the tempo creates the relaxed groove, and pushing the '1' keeps it in the pocket.”

As fanatics of funk know, “The 1” refers to James Brown's steadfast principle that funk music be concretely founded on the first beat of each measure of a song. It's a bulletproof way to ensure a track has a tight danceability from start to finish. “Do It Like This” has more than that, though. It's also built on an irresistible hook.


“The original guitar line felt good and made it easy to build around it,” Wilkins says. “I love energy and dynamics and even at that tempo, I was able to lift the song up.”

Lifting songs up, and lifting people up with songs, too, are activities with which Barry Wilkins is all too familiar.

I want the feeling and groove of the track to strike a nerve,” he writes. “'Do It Like This' means to open your eyes and realize what gift you have been blessed with and 'Do It.' Express yourself. Just as an example, whether you play blues, funk, rock or classical guitar, reach to do the best and whatever is best for you.”

Asked to describe the overall theme of “Do It Like This,” Barry Wilkins writes:

There is no specific way to do something. You can reach your accomplishments in so many different ways and from so many different roads.”

Do It Like This” by Barry Wilkins is available from quality digital music stores online worldwide now. Get in early, funk and R&B music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Do It Like This” by Barry Wilkins —

www.bcreativestudio.org/do-it-like-this-release/


Official Slideshow Video —

https://www.youtube.com/watch?v=HMb82_TEo5k&ab_channel=BarryWilkins


Official Website —

www.bcreativestudio.org


Instagram —

barry.wilkins.10


Thursday, October 21, 2021

Gustavo De Beauville releases pivotal new album 'Second Sun'

 


Canadian prog rocker and audio surgeon Gustavo De Beauville has released his latest official album, “Second Sun.” It contains nine original Gustavo De Beauville tracks for a total listening time of an hour, and has been proudly published as an independent release without the involvement of the corporate music industry. Varied, kaleidoscopic, and bearing equal parts tone and octane, “Second Sun” is the latest evidence that Gustavo De Beauville doesn't just meet the standard — he helps make the standard.

Alberta's Gustavo De Beauville cites as main artistic influences Tool, '90s grunge, prog rock, instrumental rock and metal, the Re-Stoned, Earthless, Long Distance Calling, Tides from Nebula, Lost in Kiev, and “of special note: Yawning Man!” De Beauville himself has described his new almost-entirely instrumental record as “progressive rock with influences of stoner, grunge and desert.”

These descriptors may not be as crucial to the listener as usual, though, in light of what drove DB in writing and production of the music.

Asked to describe the overall theme of “Second Sun,” De Beauville writes, “This was a fun record to make. It was the first time I had deliberately not put any pressure or expectations on the music and attempted to make art for art's sake. It's a bunch of fun songs with no rigid genre guidelines to adhere to.”

Ironically, “Second Sun” works very well as an example of coherence with variation. It has an overall tone, none of the tracks sound misplaced, and there's even a thematic climax to the record which rises and falls like a good story should. And while there's no chance that's accidental, it still wasn't the point of the album.

At the time of writing the record,” De Beauville writes, “I was very involved in my day job working as an AV Technician and spearheading a command centre built at an airport. It was stressful, and I think the album was a pressure release valve I would turn to in my spare moments.”

So what were the themes, if any?

The main theme I embraced this time around was that of self-acceptance/realization,” says DB. “Life is finite. We oftentimes get so caught up chasing the dream that we forget to stop and appreciate the small things in life — family, health, nature, peace of mind, etc. Life is short. Don't waste it worrying about what other people think. Get out there and make something happen for yourself.”

De Beauville isn't talking in broad, general terms, necessarily, either. He knows his audience.

I suspect alot of listeners of this genre may be musicians themselves,” he writes. “There's no better time to start writing and recording yourself. All the tools are there and are extremely affordable. Don't let anyone make you feel inadequate because you use this or that — I've made an award-winning record with a Line 6 amp and a $150 dollar condenser microphone.”

What's more, he's actually willing to help on a personal level:

If you have specific questions about my process drop me a line.”

The official Gustavo De Beauville website (link provided below) describes him as “an OIART graduate” who “has focused his attention on composing original music for both film and video games. He began playing music in the 1990s in the Caribbean island nation of Barbados. He's since played in Trinidad and faraway Calgary where he opened for Helmet, but “all honesty I much prefer the controlled environment of my home studio. I'm more of an introvert, to be honest. I'll leave the live performance for the divas amongst us. Never say never though.”

He has other official releases with other bands, but calls them “irrelevant at this time. Right now is Second Sun's moment.”

I'd like to thank Otu from Finland, Serouj from Beirut and my good friend Andrew from Vancouver for lending their vocal talents to the record,” writes Gustavo De Beauville. “Also a quick nod to Ryan from Empire Music for being a good hype man in these dark times.

Thanks for the support — I'm currently focused on soundtracks and music assets for video games so if you're interested, you know where to find me [https://assetstore.unity.com/publishers/54832].

I’ve also started contributing articles on my composing setup to the popular stoner/doom site MonsterRiff.com. It’s a good way to help out the community and get folks started in recording. Big shout out to Pat!”

Second Sun” by Gustavo De Beauville is available from quality digital music stores online worldwide now. Get in early, prog-rock fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Second Sun” by Gustavo De Beauville —

https://www.amazon.com/Second-Sun-Gustavo-Beauville/dp/B09GL7FHG1/

Gustavo De Beauville Official Website —

http://debeauvillestudios.com

Gustavo De Beauville Official Instagram —

@DebeauvilleStudios

Wednesday, October 6, 2021

Cody and the Blackouts drop new album 'Living Asleep' 20 Oct. 2021

 


Extrapolation, n: An educated guess or hypothesis. To extrapolate is to use observations



about a current situation to make a prediction.


Extrapolationis not a word youd expect to find in a modern pop song, but there it is in the title track of the thoughtful and heartfelt debut album by Los Angeles band Cody And The Blackouts:

Present finally caught up to my past / Surprised my house of cards had been built to last / Extrapolation gift and a curse / It helps connect the dots but can make things worse” (Living Asleep).

Hes the lead singer and keys player in the band, but Cody Hudocks most striking asset is his songwriting. Notable LA music blog, Buzzbands.la, held up Hudocks work to any number of rock-Americana greats and piano-wielding popsmiths who can seize the moment with a single couplet owing to Hudocks often-cutting, always-earnest lyrics, the Blackouts come off as the band most likely to have put down their history textbooks long enough raise hell at the local bar.

A dab hand with a lyric, Hudock often takes a song title and runs with it, as in Im gonna crack the code / its just a matter of time” (Matter of Time), or All Im asking fors the last word” (The Last Word). Even the albums closing track, tender piano ballad Love Song To You, pre-empts its own chorus as Hudock vows to learn the vocab to say what I felt”.

There he goes, extrapolating again.

Cody Hudock was born into a family of songwriters. He learned the trade from his father and older brother, Jordan, who also plays keys on Living Asleep. After acquiring early performance experience playing keys in Jordans bands, Cody wrote and released 3 EPs between 2011 and 2015 under the moniker Cody The Band, and the ambitiously titled The Great American Album LP under his own name in 2016. The LP garnered some delirious word of mouth, with LA blog The 704 gushing, If there were an award for greatest living songwriter youve never heard of, then Cody Hudocks sterling solo effort would place him firmly in the running.

Rounding out the Blackouts are guitarist Jimmy Holman, drummer Brent Stranathan and bassist Will Weissman, with Joanna Hudock on backing vocals. Joanna shines on the country-tinged I Confess, a duet with husband Cody, And contributes celestial harmonies to the choruses of several other songs on the album.

Recorded at Hollywood studio Elephant In The Room, produced by Ethan Kaufmann (Avril Lavigne, Wild Party) and Brent Stranathan, and mixed by veteran Capitol Records engineer Chandler Harrod (John Mayer, Neil Young), Living Asleep captures the unique studio chemistry of Cody And The Blackouts like lightning in a bottle.

From the pop-cultural history lessons of opening track Time Stood Still (the bands head-turning 2020 debut single), through the pendulum swing of Matter of Time, to the hook-laden pop bauble Sister Sister, Living Asleep extrapolates an uncommon range and versatility. As for predictions, heed the title of the albums penultimate song: Somehow Ill Make Good. Believe it.


Cody and the Blackouts Official Website —

https://chancemusic.com


Hear “Living Asleep” by Cody and the Blackouts —

https://chancemusic.com/cody-and-the-blackouts-living-asleep/


Official Facebook —
https://www.facebook.com/chancemedia/


Twitter —
https://twitter.com/NickChanceMUSIC


YouTube —
https://youtu.be/_WXEYP5p0PQ


SoundCloud —
https://soundcloud.com/chancemusic/sets/cody-the-blackouts-living-asleep


Instagram
https://www.instagram.com/chance_media_music/



Thursday, September 23, 2021

Eventide releases new EP 'The City is Dead'


 
 SAN DIEGO, Calif., 2021-Sep-23 — /Indie Music News Network/ —

West coast independent hard-rock band Eventide has released their latest official EP, “The City is Dead.” It contains four original tracks and has been published as an independent release. Heavy-hitting, unrestrained, and blending old-school power with contemporary studio precision, “The City is Dead” introduces Eventide as one of the most professional and creative rock crews in recent memory.


San Diego's Eventide cites as main artistic influences Soundgarden, Black Sabbath, Alice In Chains and Oasis — each of which figure into their “The City Is Dead” EP in palpable measures. With plenty of Octane and a razor-sharp production value, “The City is Dead” by Eventide serves as both a return to pre-digital rock aggression and a declaration that the future has plenty of sonic fight in it yet.

Eventide describe their new EP as simply “hard melodic rock,” but there's more to it than that. Lyric themes range from eco-riot rally cries like the title track, “The City Is Dead,” to toe-tapping Brit Rock groove ballads like “Sorry,” and with the broad stylistic variety to match. Hence, fans of top-shelf rock across the spectrum will find much to appreciate in Eventide's “The City Is Dead” EP.

Asked to describe the overall theme of “The City is Dead,” themselves, Eventide writes, “Death, rebirth, love, loss, chaos, making it out on the other side.”
What I love about rock ‘n’ roll is the independent platform it gives to humankind,” writes vocalist East-Coaster Todd S. Wonkka. “Even if they’re not playing, performing, or singing it, you’re feeling it, riding the dissent into your own beautiful madness.”

Bassist and Calif. native Ian Phillip agrees.
I need music at all times. It’s my coffee and my meditation. It feeds my emotion and gets me into a frenzy of life. It is the ultimate universal language and I am amped to share it!”

Wisconsin-born drummer Mike Davis says, “It feels great when everyone in the band has a musical style and approach that seem to align so seamlessly.”


 “The City is Dead” by Eventide is available from quality digital music stores online worldwide now. Get in early, independent hard-rock music fans.

S. McCauley
Lead Press Release Writer
www.Octiive.com  

 “The City is Dead” by Eventide —

https://open.spotify.com/album/5ZbggJxmUlDImMjEoZQNaB?si=Dtd-zqweToygDsirXSK_mg&dl_branch=1

Eventide Official Website —


www.EventideTheBand.com


Eventide Official Instagram —

www.instagram.com/EventideTheBand

Thursday, September 16, 2021

Art-pop indie artist Phosphoro drops EP album 'This Infinite Line'

 



The songwriter and producer of art-pop music known as Phosphoro has released his latest official EP album, “This Infinite Line.” It contains five original Phosphoro tracks for an approximate total listening time of 20 mins. It has been proudly published as an independent release without the involvement of the corporate music industry on the Cognibrew Records record label. Uniquely melodic, undeniably fun, and distinguished by refreshingly unusual instrumentation, “This Infinite Line” introduces Phosphoro as one of the most intriguing artists in recent memory.

Tucson, Arizona's Phosphoro [often stylized 'phosphoro'] takes his name from the Spanish word for a match, 'fosforo,' for his fiery red hair. He cites as main artistic influences David Bowie, Portugal. The Man, Hozier, and Dave Matthews, as well as saxophone greats such as Cannonball Adderley and Charlie Parker. These are joined in his stable by a melange of rock names like Bob Dylan, Michael Jackson, and Fleetwood Mac. The result is as uncommon as one might imagine and as satisfying as a fan can hope for.

The album art for “This Infinite Line” shows Phosphoro on a ladder in his underwear with a mason's level, pointing bravely yonder like a great explorer of yore. Sonically speaking, this is apt. His pairing of sax and Rhodes piano festooned with his own unassuming indie-rock vocal style definitely explores new territories. Fans of clever lyrics will find much on the bone to gnaw, also.

Asked to describe the overall theme of “This Infinite Line,” Phosphoro writes:

My message is one of hope, persistence, and patient endurance. Questions and fear have been pushed on us more than ever, but true insurance isn't sold. I encourage us to realize we journey our own line, while being part of a bigger infinite line.”

Stylistically speaking, Phosphoro wasn't aiming to ape the work of someone else. Rather, he made what he wanted to hear because it had been missing.

The songs are a sound I wanted to hear over this past year,” he writes. “I think each song shows some growth for me as a writer and shares something new that I hadn’t brought to the table before.”

That said, he's also openly anti-pigeonhole and even moreso than most indie artists.

It can be hard to create with a particular direction in mind,” Phosphoro says. “I don’t have a defined audience and I don’t want to be a copycat. I’d rather blaze a trail, or even be a Van Gogh -style artist, rather than just get in the same line everyone is in to become famous. I’d like to contribute to the collective canvas.”

That canvas includes notable work from his grandfather, a pianist in the Charlie Fisk Orchestra at Chicago during the 1950s, his mother, also an artist, and his father, a multi-instrumentalist in the 33rd Army Band (USAREUR), all of whom he cites as crucial sources of inspiration.

Seasoned musicians will note all the space in Phosphoro's mix. No percussion? No second or third vocal tracks? Is there a bass, even (usually, yes)? Music fans will do well to let the music be what it is.

I often wrestled with the question of 'does my music need more?'” the artist says. “I feel like I’ve been dancing around the music industry and society, not quite fitting into any of the crowds, knocking on all the doors but not yet finding the entrance to where I need to be. I want to add new or fresh ideas to our industry.”

Cognibrew Records describes Phosphoro as having been raised in Pocatello, Idaho, “where one's path, social awareness, and of course music, were common lessons of childhood. As a songwriter today, he is in pursuit of musical and spiritual substance while considering topics of humanity.”

I think I put themes of unity and teamwork into my songs,” Phosphoro writes. “There is also a strong presence for big ideas, such as creation, or the larger purpose that we all face along this infinite line of humanity and history.”

Phosophoro is the sole talent behind everything on the album from initial writing to final recording. He worked with Alusion Studios in Tucson “to mix the songs and add a few final effects to the master,” of which he said, “I always enjoy working with Jim there at the studio.” He is also part of Blind Autumn with whom he has dropped three LPs and an EP record. Previous releases also include two solo LPs as the American Captain.

This Infinite Line” by Phosphoro on the Cognibrew Records label is available from quality digital music stores online worldwide now. Get in early, art-pop fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


This Infinite Line” by Phosphoro —

https://music.apple.com/us/album/this-infinite-line-ep/1576316729


Phosphoro Official Website —

https://phosphoromusic.com/


Phosphoro Official Twitter —

@phosphoromusic

Thursday, September 2, 2021

Moro releases new single 'Cinco de Mayo'

 



Legendary folk guitarist Moro has dropped his latest single, a Spanish instrumental written and played in the toque style of Andalusia, “Cinco de Mayo.” The writer and performer of 12 LP albums and the No.1 solo-guitar song from 1981-1984 has performed in over 50 countries, for kings and queens, sheiks and movie stars, but is perhaps best renowned as the most-celebrated champion of the historic troubadour tradition of the last 200 years — and likely the most well-traveled of all time.

A few months before his 21st birthday in the early 1960s, Moro took up a backpack, left his wallet behind, and set out to circumscribe the globe with nothing but his guitar and his soul. The result became a finalist for ForeWord Magazine's 2012 Book of the Year Award, his acclaimed autobiography, Kin to the Wind.

Today Moro releases singles on the Budwick independent label whenever he feels a hankering, and they enjoy international radio circulation. The present release of “Cinco de Mayo” is his first since 2019's “Wanderin'.” As the vaunted artist relates it, “Cinco...” forced its way into being.

I needed time for the right thing to come along,” he says.

Moro records in a pair of insulated rooms attached to his garage the size of walk-in closets. Far from the mic-and-laptop rigs many indie artists content themselves with today, Moro enjoys the warm acoustics of state-of-the-art analog equipment. And when he’s particularly happy with a recording, he sends it to a digital mastering lab for finalization.

All this and more is palpable while listening to contemporary tracks by Moro. All this and much more.

I strongly feel 'Cinco de Mayo' would’ve pleased my friend Dorotea Estampio,” he writes. “I met her in Old Town Granada — she was a gypsy flamenco dancer and we performed onstage together, she on her toes and I on my guitar. I grew to love her so much, the Andalusian-style melody of 'Cinco de Mayo' actually roots in that love and makes me all at once happy and sad whenever I feel her immortal spirit enjoying it.”

To hear Moro tell it is to give faces to the seeming spirits swaying in his sounds.

When she danced,” says Moro, “she regarded the world around her with a soul-penetrating gaze so intense as to be capable of exorcism. Our awed crowds studied her with bated breath.”

Sharing the stage with him were her husband, also dancing, and her teenage son, also playing guitar. Moro speaks of all three with the friendly reverence of a collaborator who's worked on a thing of marvel.

Ingenious, clever and alert, [her son] somehow always knew where I was going with the music. So we easily became a duet, and the four of us — two guitarists and two dancers — performed in public squares, gypsy caves and even theaters, for aficionados throughout Andalusia. The people generally gave us a little money with which Dorotea bought us food and beautiful, if humble, lodging.”

Cinco de Mayo” was originally published to the world in Moro's 1994 CD, “Amilucience.” Today's updated version comes as remastered with surgical precision by London's famous Tom Frampton, whom Moro describes as “a great young engineer with unheard-of understanding, whose legendary skill has elevated the sound.”

Lifelong symphony patron Ted Wildhage says of the remastered Cinco de Mayo, “The notes are so full, so resonant and beautiful. Hearing it took me back to a special place with good times and memories. I’ll keep it and play it often.”

And what of Moro's own memories? He's as wistful as any of us.

I’ve never been so happy with anyone,” he writes. “I'd have stayed with these gypsies forever. But a noble and fascinating Spanish duchess in the audience invited me home for dinner late one balmy Saturday night after our show. Only 20, I’m afraid I went home with her and never saw my gypsy friends again. Life with them had been so happy and spiritually golden, losing them in this way gave me a lifelong heartache that refuses to go away.”

Cinco de Mayo” by Moro on the Budwick label is available from quality digital music stores online worldwide now. Get in early, classical-guitar music fans.


S. McCauley

Lead Press Release Writer

www.Octiive.com


Cinco de Mayo” by Moro —

https://www.amazon.com/Cinco-De-Mayo-Remastered-2021/dp/B09C24RT1Z/


Cinco de Mayo” Official Slideshow Video —

https://www.youtube.com/watch?v=xx7Bhw60Jds


Moro Official Website —

www.moromusic.com


Paula Punch debut studio album 'Song to the Trees' out now


Australian alt-rocker and singer-songwriter Paula Punch has dropped her official studio debut LP, “Song to the Trees.” Bearing 11 original tracks recorded in 2019 with her band, the Fireflys, it comes from Sydney indie record label, Punch Park. “Song to the Trees” presents Punch and the Firefly Band in a set of tracks recorded live in the studio with additional takes from guest artists laid atop them. The result presents these artists in the same dynamic style which local fans loved at their many popular live shows, but with a new and exciting dimension and crystalline clarity from razor-sharp studio production.

In short, if you've ever been a fan of Paula Punch's stage show or music releases, this record will resonate with you in all the old ways and in an entirely new one.

Speaking of the themes of her new record, Punch Park writes:

“Paula Punch has always been drawn to nature, the nature of the world around her, and of course human nature. Her stories are enmeshed with metaphors that speak of change, cycles, disruption, decline, growth, birth, rebirth, love and metamorphosis. It is a woman's journey to finding her own power, a celebration of love, and an exploration of nature and our part in it.”

“Being a singer songwriter, my music can cross many genres,” says Paula Punch. “I let the music and the story take me where it needs to go. Some songs are quite folk style, others country or rock, or classic ballads, like my song 'Tender Moment.'”

She's also open about the feminine aspect of her contemporary work.

“I like to rock out on songs. I loved playing in my early university band. However, it was when I was alone at home looking after my two young boys that I picked up my guitar again and started writing my own music. There is a strong theme of heartache in my songs, but I hope people also hear the message of women’s empowerment in the music, and relate to the stories, and feel inspired to express themselves as well”

“Tell your story,” says Paula Punch. “Never let anyone else bring you down, or stop you from following your dream. And my message for women: I understand your challenges – I share them – I sing them. I hope that you come with me on my journey of love, pain, joy, anger and forgiveness through music.”

“My message for my audience today would be to do what you love,” Paula says, herself. “Follow your passion. Life is so short — you have one shot. Life is not a demo. Know that it is never too late to do what you love.”

And she also makes an special point of declaring her record includes songs calling for action — her ecological fight songs.

“I strongly believe that we are all part of this circle of life, and music is entwined with it. It is crucial that we make a change in our lives to help nature heal. My songs 'Full Moon Rising' and 'Song to the Trees' reflect my concern for where we are right now.”

The Firefly Band are Paula Punch, Robin Gist, Marko Simec, Reuben Alexander, and Mike Rix.

“Song to the Trees” features work by guest musicians Matt Fell, Rod McCormack, Mark Punch, Clare O'Meara, Mark Collins, Bob Scott and Nick Wales, as well as portrait photography by Tim Bauer and nature photography by Nick Wales, and cover art by Scarlett Vespa and Paula Punch. It was recorded at Electric Avenue Studios by Philip Punch, Robin Gist and Jem Hoppe, and mastered by Steve Smart at 301 Studios, both studios operating in Sydney.

“Song to the Trees” by Paula Punch on the Punch Park label is available from quality digital music stores online worldwide now. Get in early, alt-rock and singer-songwriter fans.


– S. McCauley

Lead Press Release Writer

www.Octiive.com


“Song to the Trees” by Paula Punch —

https://www.amazon.com/Song-Trees-Paula-Punch/dp/B096K5R5RV/

Paula Punch Official Website —

https://www.paulapunchmusic.com/