Tuesday, December 11, 2012

Up and coming rap artist Asylum releases his flagship LP “Coalesce”

Texas born rap artist Asylum has released his newest LP record, “Coalesce.”
Texas born rap artist Asylum has released his newest LP record, “Coalesce.” The album contains fourteen tracks comprising just over forty minutes worth of excellent rhymes and rhythms. The style is generally dark and spacious, with lots of room for his poetry to sink in between the beats. The beats themselves are heavy hitting and always in a balanced, boxer's cadence (one, one-two, one-two-three, one...) never annoyingly rapid fire or clumsily getting in the way of his eloquent lines.

The aforementioned eloquence of Asylum can not be overstated. Where most rap artists begin with beatboxing or rap and learn a kind of offshoot of formal poetry from penning rap lyrics, Asylum began the other way around, growing into rap music from writing classical poetry. Of this he writes, “I believe the door to my music opened when I started writing poetry in high school to pass the time. After having a poem published with a 'shot in the dark' online submission, I realized I may have a knack for art in some way, but never transformed thought into further action. A friend later suggested I try rapping after I had shared a poem over the phone.”

It's a good thing he did. Asylum's flawless, natural rhythm and groove is overstepped only by his endless cleverness. Track four on “Coalesce” is titled, “Mic'd,” the music industry abbreviation for 'microphoned;' Asylum uses it as an acronym for Music Is Common Denominator. His themes often venture into the metaphysical, or even transcendental, as the album's title demonstrates ('coalesce' means to grow together or blend into one body).

Asylum himself writes of the album's message, “We are all one. We all share the same emotions: anticipation, joy, anger, fear, sadness, etc. I am portraying all of those feelings and personalities in one, just as we all can do if we let go and simply be.” Asylum even chose white for the album cover to represent the “Presence of all growing together.” Everything for him is an opportunity for symbolism.

The album opens with a simple quote spoken low and seriously: “The presence of All, looks like None at all.”

Come for the beats, stay for the intellectual refinement. Asylum's “Coalesce” is some of the most intriguing rap music the underground urban scene has witnessed in years.

-S. McCauley
Staff Press Release Writer
MondoTunes

The LP “Coalesce” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

nickag7@yahoo.com

Monday, December 10, 2012

Texan singer-songwriter Heidi Zettl releases newest single “Crazy”

Arlington born Heidi Zettl has released her newest single, “Crazy,” to broad acclaim.


 Arlington born Heidi Zettl has released her newest single, “Crazy,” to broad acclaim. The track combines the complexity of classical composition with the radical overtones of modern rock 'n' roll to create a sound that is both intellectually intriguing and emotionally charged. The melodies are mostly carried by Zettl, herself, whose whirling vocals showcase an earnest rawness that contrasts perfectly against her delicate piano playing. Her style of singing is not unlike that of Dolores O'Riordan of The Cranberries, except that Zettl boasts a broader range than O'Riordan, perhaps, and is even more fearless at the writing table, where she never balks at including a particularly difficult measure, or an entirely unexpected chord progression. “Crazy” is a single full of power and beauty, two attributes that are increasingly difficult to find in today's polarized and ever more pigeonholed music industry.

The song tells a story of youth gone wild on a trip to New York City, which was inspired by real events in Zettl's own experience. “When I was in New York,” she writes, “I saw that the city never sleeps. It does seem to be in its own time zone. I thought of a girl at one of the all night clubs, dancing. She has no idea how she got there or even who she is with… Crazy!”

Though to be sure, there are rock elements in the composition, performance, and production of “Crazy,” at its heart is an artist with mostly classical music in her musical background. She writes of this, “I began at four years old learning classical music and music theory. My mom thought it would help me in math!”

Whether her math scores jumped a couple notches or not, the benefit to her music writing skill is plain to be seen. While “Crazy” can be described as pop rock, it is far more involved than the radio's typical top 40 fare, and should give veteran music listeners more than enough to chew on for a single. Heidi Zettl is a voice to watch out for, and her single, “Crazy,” is not one to be missed.

-S. McCauley
Staff Press Release Writer
MondoTunes

The single “Crazy” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:



eMail -

JZETTL@gmail.com

website -

www.heidizettlband.com








Haks Pheenom releases newest single, “New Styler (Rough and Ready)”

Haks Pheenom has released his newest single, “New Styler (Rough and Ready),” on the heels of his 2012 EP.

Haks Pheenom has released his newest single, “New Styler (Rough & Ready),” on the heels of his 2012 EP. The success of Haks' Pheenom's last record, the extended play release “Pheenom Strike 0.5,” has colored him with neither arrogance nor conceit. He sports the same healthy, happy-go-lucky attitude he did last fall, and with the accompanying swagger that is part and parcel of the Pheenom personality. “It’s not about just attempting to compete with the 'big shots' and fame,” he writes jocularly, “though I obviously wouldn't say no to pushing a few million units, ha ha!”

Haks' single, “New Styler (Rough and Ready)” contains a message to his fans. He writes of this that he wants listeners to do their best “To be open, and to not segregate. [I want my fans to] be brash and confident in a pleasant way, to reminisce and laugh, to relax and have fun.” He reminds listeners that it's not just what a person does that's important, but precisely how and in what way they live that can make the difference. “Do it always with new style and on the ready,” he writes, alluding to the title of the track, itself. “Do it with new style, and on the ready for whatever.”



Pheenom is well known for writing meaningful lyrics. His rhymes do not at all reflect themes typical of lowbrow urban hip-hop, the usual hos, tricks and bling fare. “For me,” he writes, “it's about creating inspiring music with guidance. [I try to write music] that will invoke inspiration, happiness, a positive vibe.” But Haks is happy to admit that in the end, his music is written for the rhythm and groove of it all. “At a bare minimum,” he writes, “even if one is not a fan of the presented genre, [I want my listeners to] feel the need to tap their feet to the rhythm, or to a feeling.”



A great proponent of the power of belief, Haks Pheenom spends much of his time convincing listeners of their own potential. “My themes and style of music tend to revolve around self-confidence, the assurance that any ambition can be achievable,” he writes. “I find that music constructed with style and passion, thought and emotion can be a great conveyance and motivator for this kind of philosophy, as well as creating an inner warmth and enjoyment.”



If the listener has any doubt, one has only to note the resounding achievement that is “New Styler (Rough & Ready)” for proof. Haks Pheenom is on his way to joining some of the most talented artists in music fame worldwide. His single is released December, 2012.



-S. McCauley
Staff Press Release Writer
MondoTunes

The “New Styler (Rough & Ready)” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

eMail -

hakspheenom@live.com

http://www.facebook.com/HaksPheenom?ref=tn_tnmn



Friday, December 7, 2012

The Sign of Leo releases single “Look Up at the Sky / Where Do We Go from Here?”




Netherlands indie band The Sign of Leo has released their newest single, “Look Up at the Sky / Where Do We Go from Here?”




Netherlands indie band The Sign of Leo has released their newest single, “Look Up at the Sky / Where Do We Go from Here?” The single is a twin release in the tradition of the 7” record, with “Look Up at the Sky” as a sort of digital Side-A, and having “Where Do We Go from Here” for a B-Side. The tracks are braided together by their themes, which have at their heart the end of the Mayan long-count calendar as a basis.

The sound of the single is mainly determined by The Sign of Leo’s unique style of writing and composition. Their songs are integrally inspired by classic rock principles, while at the same time The Sign of Leo remains unafraid to incorporate modern elements into them, such as minor digital effects. The overall tone lies somewhere between The Beatles and Tears for Fears, albeit without the heavy reliance on a prominent use of rock and roll style percussion. They have written of themselves that “The music of The Sign of Leo is rooted in the history of pop music with influences from the ‘60s, ‘70s, and with faint echoes from the early ‘80s.” This self-description will seem entirely appropriate to first time hearers.

Regarding the meaning of “Look Up at the Sky / Where Do We Go from Here?,” The Sign of Leo writes: “‘Look up at the sky’ is a song about the 2012 prediction [of the unlikely end of the world] and especially the people who fervently believe in the fact that it will take place as such. Numerous websites are dedicated to this event and spreading the message. As one website states: the 2012 phenomenon spreads through the global consciousness, strengthened by a steady stream of internet articles, books, videos and films. Many people are getting anxious and fearful.” Regarding the relationship the former track has to the latter, they write, “‘Where do we go from here’ is related to ‘Look up in the sky’ because it raises the question of whether we, the human race, have had a hand in our own downfall (when it takes place). [We are after all] a human race that has exploited the earth ever since the beginning of time.”

The Sign of Leo cites a long, variegated and complex array of influences which includes The Beatles, Brian Wilson, Todd Rundgren, Traffic, The Doors, Moody Blues, Echo & The Bunnymen, Tears For Fears, and the always underrated British synthpop trio, Talk Talk.

“I started in my youth playing in bands and writing my own material,” writes singer Martin Postema. “The Sign Of Leo was formed in 2011 in order to perform the songs I had written over a period from 2008 to 2010.”

That being the case, fans will be glad to know that there seem to be a good many more tracks where this single came from, and considering the fantastic quality of “Look Up at the Sky / Where Do We Go from Here?,” chances are that many of them will resonate through the indie music community for years to come.

-S. McCauley
Staff Press Release Writer
MondoTunes

The single “Look Up at the Sky / Where Do We Go from Here?” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

eMail -

postemame@home.nl


website -

www.facebook.com/thesignofleo www.soundcloud.com/thesignof leo

Thursday, December 6, 2012

So. Cal. singer Lena Fayre releases debut single “Belong to You”




Young pop singer Lena Fayre has released her breakout single “Belong to You.”

Young pop singer Lena Fayre has released her breakout single “Belong to You.” She is just sixteen years old, yet her clarion, crystalline voice bears the same beauty and precision that made Lauryn Hill famous at roughly the same age. The track is an original – a catchy, well-written original – but like the explosive fireworks display of a NASA rocket’s ignition and liftoff, this is only the beginning for Fayre. “‘Belong to You’ is the debut single from my upcoming EP,” she writes. “It’s scheduled for a spring release in 2013.” If the rest of her EP is half as spellbinding as this debut single, then music fans have something of great quality to look forward to in spring, something that may alter the general mood of pop music in the future.

“Belong to You” is written with plenty of angst and melancholy in the chord progression, but also with a heavy dose of triumphant defiance. It is somewhat reminiscent of Rihanna’s runaway hit, “Umbrella,” but with far more class and far less backbeat. There is a touch of digital effect on Fayre’s voice (just a touch), and the pop-style simplicity of the orchestration forces the listener to concede that the song is truly pop at its heart, though there seems at every moment to be something more refined about it, something decidedly upscale. There is the gorgeous, subtle violin work of Stevie Blacke, for instance, which forms a velvet curtain of sound behind Fayre’s singing. The lead instrumentation is formed by the masterfully measured keystrokes of Kosta Lois on piano. Michael Bradford’s bass guitar is unobtrusive, yet powerful.

For Fayre herself, at least, the song’s style represents a deliberate shift from the typical contemporary attitude of pop music. Of this she writes, “From the beginning, I did not want to do bland pop songs that go in one ear and out the other. Initially, I leaned the other way.” How far this experimentation stretched, listeners may be surprised to hear. “Some of my early songs were rock songs (inspired by bands like Paramore and Evanescence). Ultimately, I decided that I want to make music that is more mainstream and fun to enjoy with my friends. So, now I focus on creating pop music with my own stamp, which I call ‘a touch of urban edge.’”

The urban edge she speaks of is certainly present, yet no more obvious than a yin spot in a yang swirl. Overall, “Belong to You” is a composition of fantastic taste and musicianship, one no fan of pop music should miss.


-S. McCauley
Staff Press Release Writer
MondoTunes

The single “Belong to You” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

eMail -

LenaFayreManagement@gmail.com


website -

www.lenafayre.com

Monday, December 3, 2012

Jara Harris releases flagship solo LP “Only”

Powerhouse prodigy of funk from So. Cal's Orange County, Jara Harris, has released his flagship solo LP, “Only”

Powerhouse prodigy of funk from So. Cal's Orange County, Jara Harris, has released his flagship solo LP, “Only.” The full-length record will appeal to fans of modern funkadelia such as the work of Prince, Outkast, or Lenny Kravitz, although Harris' “Only” also has strong undercurrents of rhythm 'n' blues, rock 'n' roll, hip-hop, jazz, and soul. The long-awaited album is an exceptional value as well, containing fifteen original tracks -- a whopping sixty-minutes' worth of excellent music played way down deep in the groove, performed, recorded, and engineered entirely by Harris, himself.

The overall tone of “Only” is described in the album's liner notes thus: “This sound is so visual that the best chance of getting it, is to paint it with other artists as the ingredients. So take Sly Stone, George Clinton, Prince, Bootsy Collins, Rage Against The Machine, Fishbone, Nine Inch Nails, Linkin Park, Musiq Soulchild and throw it all into a blender... And it somehow came out structure and made total sense.”

Jara Harris does not usually produce solo records. His music career began at the age of four, playing percussion in his family band, the 4 Js. However, by sixteen Jara had begun producing his own solo music on a Teac Porta-One four-track recorder. All his writing and performances were original and held to his own strict standards of quality. This led to fronting his own modestly successful band, Jarasound, and afterwards to a job playing bass for the Jackson 5's Randy Jackson in a band called Randy and the Gypsies. Jara also played bass for Jose Feliciano's Grammy-Award winning album of 1990, "Cielito Lindo." Following this, Harris wanted greater breadth of creativity and started his second band, Slapbak. Slapbak would prove to be Harris' most personal project until this solo release of “Only.”

About the message his record tries to convey to his fans, Harris says, "This album talks about mistakes, having to live with the outcome of your actions even though you’ve changed. But it's also about reaching the end of your rope and realizing that, sometimes, you have to just walk away and start over."

Plain to see (and even more plainly heard), Jara Harris' "Only" isn't anywhere near the end of his rope, or of anything else but a long wait. Fans of funk rock can pick up this album from digital distributors everywhere.

-S. McCauley
Staff Press Release Writer
MondoTunes

The LP “Only” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

eMail -

traklightent@yahoo.com
website -

www.slapbak.com


Underground Balloon Service releases single “Out Past Wijgmaal”

UK alternative music pioneers The Underground Balloon Service are releasing their first single recorded in mainland Europe, “Out Past Wijgmaal.”

UK alternative music pioneers The Underground Balloon Service are releasing their first single recorded from Belgium, “Out Past Wijgmaal.” The track represents the re-founding of the Underground Balloon Service in mainland Europe and is the first from UBS since founder Ashley (Ash) Coupland's move in 2005. It serves as the launch point for a body of future releases that will include much of Underground Balloon Service's previously unknown back catalog, as well as new material recorded in their current studio in the old Flemish university town, Leuven.

“Out Past Wijgmaal” itself pulses with a warm spaciousness that is at once ambient and direct. It features up-front but unobtrusive clean-channel guitar melodies, and a ghostly vocal track that seems to come from everywhere, yet never sounds unclear. Coupland's singing is patient and carefully intoned, with all the quality of alternative-music favorite, Morrissey, but with none of the Smiths singer's ostentation. The lead guitar sounds much like the guitar work in the famous, and gorgeous, theme from the surf film, “The Endless Summer.” Crystalline and space-age effects form the delicate and dreamy background. The overall feeling is one of comfort, mystery, and quiet groove, like a relaxed version of The Beatles' far-out classic, “Tomorrow Never Knows.”

Officially founded in Hull in the United Kingdom, 1990, Coupland writes that The Underground Balloon Service is “a musical collective that has absorbed influences from the entirety of the musical spectrum.” They have performed with the likes of Radiohead and New Orleans' Dr. John, and have a copious collection of original material that stretches into the late eighties, previous to the actual formation of the band.

The creative and unlikely name of The Underground Balloon service comes from a fascinating discussion between band founder, Coupland and a WWII veteran named Peter, whom he was teaching about the Internet. In the war, Peter and his fellow soldiers worked with barrage balloons that defended against bombing raids. For entertainment at night they had a crystal radio. Being a rudimentary radio, however, it didn't receive well, so the men took copper wire from a mine detonator and strung it up on one of their balloons, instantly producing one of the world's highest and most sensitive radio receivers, capable of listening to transmissions from throughout the western hemisphere. They named it the Balloon Service. Upon learning that the Internet was based on modem technology that utilized copper telephone wires underground, Peter saw a parallel and suggested, “So it's the Underground Balloon Service, then.”

In releasing this flagship single, Ash Coupland writes, “The hope is that The Underground Balloon Service will finally see its strange name recognized as a creator of music in the alternative genre, and will continue to flourish for many years to come.”

With quality releases such as this, The Underground Balloon Service can feel secure their hopes will be realized in spades.



-S. McCauley
Staff Press Release Writer
MondoTunes

The single “Out Past Wijgmaal” is distributed globally by MondoTunes (www.MondoTunes.com) and is available at iTunes for convenient purchase and download

MondoTunes (www.mondotunes.com) supplies the largest music distribution in the world and provides upstream services for many major labels in search of breakout artists. While most independent distributors reach only 45-50 retailers despite charging needless monthly and yearly fees, MondoTunes reaches over 750 retailers and mobile partners in over 100 world regions without any monthly or yearly fees.

ARTIST CONTACT INFO:

eMail -

info@undergroundballoonservice.com

website -
www.undergroundballoonservice.com