FOR IMMEDIATE RELEASE –
The singing and songwriting troupe of
scoundrels known as Nash Vulgas and the Neon Cowpokes have released
their latest EP record album, “Nash
Vulgas and the Neon Cowpokes: Banned from the Grand Old Opree.” The
EP is comprised of four originals penned and performed by Nash
Vulgas and Co., including the title single, “Banned from the Grand
Old Opree,” their flagship closing single, “Tavern Wench,” the
bizarre ballad, “One-Eyed Saggy Jane,” and “Sex on the Farm,”
which features the highly conspicuous talents of NuNu.
The record does not so much cross
genres as it does invent an entirely new one for itself, a genre of
exactly one, which includes elements of rock, western, rockabilly,
European house music and yet more. Moreover, it is a record that
tells the remarkable story of Nash Vulgas (nee Vegas), his rise and
fall from country music fame and resultant exodus to the wild
nightclubs of Amsterdam, Netherlands.
Richard Allen, a collaborator and
spokesperson for Vulgas himself, writes:
“'Nash Vulgas and the Neon Cowpokes:
Banned from the Grand Old Opree' tells the fortune to failure story
of Nash Vegas, who plummeted from the heights of country music
stardom into a world of sin and degradation that twisted and molded
him into the true artistic genius that he is today. Like him or hate
him, he’s one of a kind.”
The official bio of Nash Vulgas seems
based more on folklore and hearsay than on verifiable fact, but
several truths can be gleaned by cross-referencing the document with
other shreds of journalism from both American and European sources.
He was apparently “born to a poor family of pedophile Christian
cultists in the mountains of Tennessee,” but “escaped the cult at
an extremely early age. He was perhaps as young as eight when he was
discovered, shoeless in December snow, playing his music on a broken
guitar in front of what he thought was a church.”
The “church” was actually the
country music landmark called the Grand Ole Opry [spellings differ].
A local paper tells that “as patrons left the Opree that night,
they were treated to a performance on its steps that made them think
an angel had broken its wing and fallen to earth. He was adopted by
the country music community as one of their own and quickly became
one of the youngest country music stars in history.”
“Nash Vegas became country music’s
golden boy,” by Allen's account, “winning award after award;
being placed on magazine covers around the globe. He seemed like a
man who was comfortable and happy with his fame and fortune, but
those who knew him well at the time know there was a sadness – an
emptiness – a darkness that drove him to drink, sometimes like a
madman.”
On one such occasion as this, Vegas
arrived late to an appearance at the Grand Ole Opry and was rushed
onstage before anyone realized what a state he was in. The next
morning Nashville headlines ran, “Country music industry in shock,
Nash Vegas expelled from Opry.”
Onlookers later described the
performance as “bordering on pornographic,” and one reporter
unprofessionally suggested that Vegas should change his name to
“Vulgas,” a rash step that the performer immediately took.
Vulgas' music contract was canceled,
his tenure at the Opry eliminated, and as Allen tells it, “Nash
spent the next years soul searching, wandering the dark streets from
one seedy town to another and from one seedy tavern to another, until
he realized he had traveled as far as Amsterdam. The dark side of
life in Amsterdam suited him and his music was corrupted by its
influence. Always writing and always singing his songs to himself,
Nash Vulgas concocted his own strange version of country music with
tales of one-eyed biker women and twisted sex, and prepared for a
comeback.”
Snippets of an audio cassette
containing previously unreleased interview material were recently
published anonymously online. Only two Q-and-A portions survive in
their entirety.
Interviewer: How did you start getting
involved in music, Mr. Vulgas?
Vulgas: That would be Christmas of 1971, when my cousin Rosco raped me with a pair of drumsticks he got as a present.
Vulgas: That would be Christmas of 1971, when my cousin Rosco raped me with a pair of drumsticks he got as a present.
Interviewer: Please list some of your
artistic influences.
Vulgas: Beer, weed, porn… A milking machine…
Vulgas: Beer, weed, porn… A milking machine…
“Nash
Vulgas and the Neon Cowpokes: Banned from the Grand Old Opree” is
available online worldwide.
-S. McCauley
Staff Press Release Writer
MondoTunes
The EP “Nash
Vulgas and the Neon Cowpokes: Banned from the Grand Old Opree”
is distributed globally by MondoTunes (www.MondoTunes.com)
and is available at iTunes for convenient purchase and download
MondoTunes
(www.mondotunes.com)
supplies the largest music distribution in the world and provides
upstream services for many major labels in search of breakout
artists. While most independent distributors reach only 45-50
retailers despite charging needless monthly and yearly fees,
MondoTunes reaches over 750 retailers and mobile partners in over 100
world regions without any monthly or yearly fees.
ARTIST CONTACT INFO:
eMail -
nashvulgas45@yahoo.nl
nashvulgas45@yahoo.nl
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